Jack Sparrow, a freewheeling 17th-century pirate who roams the Caribbean Sea, butts heads with a rival pirate bent on pillaging the village of Port Royal. When the governor's daughter is kidnapped, Sparrow decides to help the girl's love save her. But their seafaring mission is hardly simple.
|Release Date||:||July 9, 2003|
|Genres||:||Adventure, Fantasy, Action|
|Production Company||:||Walt Disney Pictures, Jerry Bruckheimer Films|
|Production Countries||:||United States of America|
|Director||:||Gore Verbinski, Gary Romolo Fiorelli|
|Writers||:||Ted Elliott, Ted Elliott, Terry Rossio, Terry Rossio, Stuart Beattie, Jay Wolpert, Darrin Denlinger|
|Casts||:||Johnny Depp, Geoffrey Rush, Orlando Bloom, Keira Knightley, Jack Davenport, Jonathan Pryce, Kevin McNally, Zoe Saldana, Lee Arenberg, Mackenzie Crook, Damian O'Hare, Treva Etienne, Michael Berry Jr., David Bailie, Christopher S. Capp, Martin Klebba, Isaac C. Singleton Jr., Giles New, Angus Barnett, Greg Ellis, Guy Siner, Ralph P. Martin, Paula J. Newman, Paul Keith, Dylan Smith, Lucinda Dryzek, Lauren Maher, Vanessa Branch, Luke de Woolfson, Michael Sean Tighe, Dustin Seavey, Christian Martin, Trevor Goddard, Vince Lozano, Matthew Bowyer, Brye Cooper, Ben Wilson, Antonio Valentino, Mike Babcock, Owen Finnegan, Ian McIntyre, Israel Aduramo, Sam Roberts, Ben Roberts, Félix Castro, Mike Haberecht, Rudolph McCollum, Gerard J. Reyes, M. Scott Shields, Christopher Sullivan, Craig Thomson, Fred Toft, Jerry Gauny, Maxie J. Santillan Jr., Michael Earl Lane, David Patykewich, Tommy Schooler, Finneus Egan, D.P. FitzGerald, Tobias McKinney, Michael A. Thompson, Michael W. Williams, Jose Zelaya, Don LaDaga, LeJon, Gregory Alosio, Jordi Caballero, Paul Gagné, Joe Grisaffi, James McAuley|
|Plot Keywords||:||exotic island, blacksmith, east india trading company, gold, marriage proposal, mutiny, jamaica, skeleton, daughter, governor, wooden eye, gold coin, pirate, alcoholic, swashbuckler, caribbean, aftercreditsstinger, pirate ship, capuchin monkey, tortuga|
I am nearly fifty years old. A sober grown man. With children. Children with whom I have now sat through hundreds of movies. Many of which I have enjoyed. And I am not completely hardened in my sophistication. The opening music to The Lion King brought tears to my eyes when my little ones were but wee tots. But still, these are after all just children's movies. In another life, I would never have seen them. And, really, one can't take such movies too seriously, can one?
And so, this summer, after the ritual badgering, I dutifully trudged into yet another Disney "adventure" movie. Named after that tired old ride in Anaheim I first went on in 1965. I mean really, how much can you expect?
And then, it happened. The swirling intoxication. The stunned feeling. What? Who? How? Was this a movie? Or a religious experience? Perhaps more like an addictive experience...
I cannot remember ever willingly paying to see any movie not starring a relative of mine more than twice, and I can count those movies on one hand. I have now seen "Pirates" four times. The only thing keeping me from seeing it again is the sense that this whole thing is just getting out of hand. I cannot get enough of it. It's like walking into a painting that you never want to come back out of. My children ask, with a note of concern in their voices, "Dad, you really like Pirates of the Caribbean a lot, don't you?"
And that Depp fellow. My God. I never had any idea who he was, but his name sounded like something created for a pubescent cover-boy for magazines published to hook thirteen year-old girls on make-up and bad music. Wasn't Depp the name of some hair-goo product back in the 60s?
I am a straight male. I have several good friends who are gay, but have never fantasized about any gender but the female. But now I understand how women can experience swooning crushes on male film stars. He is simply extraordinary. So sly, so seductive, so canny! I read an interview in which Depp said he went through a slight depression when he had to stop playing Captain Jack Sparrow. I can see why. His inventiveness and sheer pleasure in inhabiting the character come through in every frame. How can I admit to my children that I now troll through fan websites about a former teen heart-throb?
I often don't even watch the Academy Awards, and I certainly never have any emotional investment in who wins.
Except for this year.
And, in a time when many big-budget movies are little more than a hodge-podge of loosely- connected "money shots" this movie puts all the pieces together, with a sense of fun and light-heartedness in special effects that are simply dazzling. I find myself laughing with dizzy appreciation when Barbossa barks out, "You'd best be believing in ghost stories, Miss Turner, you're in one!" and the grinning skeletons come into view, with Badelt's pounding score keeping time to the beat of their maniacal deck-swabbing. And then there's the scene of the pirate-ghouls slithering up from the darkened sea on the mooring cables of the Dauntless, like infernal cats stalking their prey.
And now to the music. I can just hear the effete aesthetes dismissing this score, as Mr. Zimmerman anticipates with his winking "overproduced by" credit on the cover-liner. "Bombastic." "Overdone." "Absurdly Stupendous."
Well, perhaps it is, for those who spend their lives evaluating such things. To me, it is absolutely transporting. I first listened to it while doing a work-out on a rowing machine and found that I tripled my usual distance. It was like mainlining some hazardous tachycardic amphetamine.
Once again, the children were wondering, "What's up with Daddy? Is he OK?"
Perhaps I am just losing my grip, having an adolescent movie get to me this way. But when those final credits roll, and Captain Jack narrows his eyes and says, "Now, bring me that horizon. Drink up me hearties, yo ho" and the music swells ... it is difficult to put into words the effect it has.
At this point my children have to yank me forcibly from the theater, lest I persist in watching the credits to the bitter end, and bid good-bye to the little monkey once more, wiping tears of exultation from my eyes.
This is not just another "entry" in the summer blockbust sweepstakes. It is an exquisite work of fantasy and inventiveness, a true classic, on the order of "The Wizard of Oz." I do hope Depp's performance garners not just awards, but a place in the pantheon, something we old fogies -- and our gently fogeying children decades hence -- will show to our children and grandchildren like a revealed treasure. I cannot recall any movie having such an effect on me.